Johnny Cash ~ Hurt (NIN Cover) [2⊘⊘2]

The “Man In Black” had his doubts when confronted by his most recent producer Rick Rubin to do a cover of Nine Inch Nails’ song ‘Hurt’. When he heard the record, Johnny said: “I can’t do that song. It’s not my style.” When Reznor was asked if Johnny could cover this deeply-personal track he said he was “flattered” but worried that “the idea sounded a bit gimmicky. “I hurt myself today, To see if I still feel. I focus on the pain, the only thing that’s real. The needle tears a hole, The old familiar sting. Try to kill … Continue reading Johnny Cash ~ Hurt (NIN Cover) [2⊘⊘2]

In This Moment ~ Witching Hour [2⊘22]

In folklore, “The Witching Hour” (between 3 and 4 AM) is considered a time of night associated with supernatural events whereby witches, demons, and ghosts are thought to appear and be at their most powerful. The phrase began at least as early as 1775, in the poem “Night, an Ode.” by Rev. Matthew West. However, its origins may go further back to 1535 when the … Continue reading In This Moment ~ Witching Hour [2⊘22]

Interpol ~ Lights [2⊘1⊘]

The curtains fall: ingestion, extraction, collection. Dank, ill, and enigmatic, Interpol’s “Lights” music video is a short study in implied horror. A tangled pain/pleasure principle. A promised Kool-Aid ecstatic transcendence. Soul donations in existential exchange for deeper waters to float face-down in. “All that I see, Show me your ways, Teach me to … Continue reading Interpol ~ Lights [2⊘1⊘]

THEN COMES SILENCE ~ Rise To The Bait [2⊘22]

Stockholm, Sweden’s THEN COMES SILENCE have unleashed their first soul-scorching single from upcoming album Hunger, available July 1st on Nexilis and Metropolis Records. The band made up of Alex Svenson (vocals, bass, synthesizer), Jonas Fransson (drums, backing vocals), Mattias Ruejas Jonson (guitar, backing vocals), and Hugo Zombie … Continue reading THEN COMES SILENCE ~ Rise To The Bait [2⊘22]

Fontaines D.C. ~ Televised Mind [2⊘21]

This is whatchacallit when medium and message meet. The repetition is hypnotic with just enough variation to trip/break something cracker-backwards in my mind. The song and video have an almost heroin-esque motif with deep blue-black auras that resonate in regions scarred from white-hot tongues, licking wounds not to cauterize, but to embellish…. Continue reading Fontaines D.C. ~ Televised Mind [2⊘21]